Rachel Lynn Brody’s produced theater work includes one-act plays POST (1999 Write To Be Heard Award Winner), PLAYING IT COOL, STUCK UP A TREE, MOUSEWINGS and GREEN BEER AND BAGELS.
She has also written and produced a number of short films. Her writing has appeared in publications including The Buffalo News, The Spectrum, Rogues & Vagabonds, and The British Theatre Guide.
Since 2009, Rachel has also done freelance writing for blogs, catalogs, websites and more.
She holds an MFA Dramatic Writing and a BA in Media Studies (Video Production).
Rachel is currently based in New York City.
- Happy day after thanksgiving, Bay Ridge! instagram.com/p/Bb5H0uPngPX/ 8 hours ago
- Also, my air fryer arrived (i bought it a while ago not in black Friday insanity) so please send me recipes. :D 12 hours ago
- When I phoned @repdandonovan's office about this a few months ago, the message was that states had enough funding t… twitter.com/i/web/status/9… 12 hours ago
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Author Archives: Rachel / @girl_onthego
Future updates to this blog will be made to http://www.rlbrody.com; please join us there to continue these discussions! Advertisements
Brian Sloan’s WTC View is a post 9/11 drama that reveals the individual traumas and experiences of New Yorkers, after the towers fell. Already produced as a film in 2005, now the show is given an airing as dramatic theater at 59E59th. (For those interested in such things, the original film starred Ugly Betty’s Michael Urie in the central role, played here by Nick Lewis. Continue reading
On its last evening at the Richard Shepherd Theater, the New Works 4: International Short Play Festival presented its program without an intermission. A collection of six short works presented as bare-bones stagings presented pieces both amorphous and direct.
Many’s the time I’ve sat in readings and development workshops and been asked, “Who is your audience?” It’s one of my least favorite questions. What am I supposed to say? “People with good taste”? How do I choose to experience my entertainment? Based on what I want to feel. I suspect I’m not alone in this. When you pick up a novel, what makes you choose Bridget Jones instead of H.P. Lovecraft? (Or vice versa?) Continue reading
In Guide and (The Myth Of) Infinite Progress, an intriguing little double-bill-in-development at Williamsburg’s The Brick theater, Cara Marsh Sheffler and Luke Cissell have begun a journey to accomplish that feat. Their subject? The man whose book, The Emigrants’ Guide to Oregon, was behind the fateful “shortcut” taken by the Donner party in 1846: Lansford Warren Hastings, Esquire. Continue reading
Previously removed due to gun-jump publishing on my part, my review of “The Sphinx Winx” is now once again available for your reading pleasure: http://rlbrody.com/2011/05/15/theater-review-the-sphinx-winx-at-theater-row/