Author Archives: Rachel / @girl_onthego

Migration…

Future updates to this blog will be made to http://www.rlbrody.com; please join us there to continue these discussions!

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THEATER REVIEW: “WTC View” at 59E59th

Brian Sloan’s WTC View is a post 9/11 drama that reveals the individual traumas and experiences of New Yorkers, after the towers fell. Already produced as a film in 2005, now the show is given an airing as dramatic theater at 59E59th. (For those interested in such things, the original film starred Ugly Betty’s Michael Urie in the central role, played here by Nick Lewis. Continue reading

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“Getting” the Internet: The CDC and the Zombie Apocalypse

Many companies use social media without really “getting it,” so seeing a government agency set such an excellent example, particularly in a way that acknowledges the foibles of internet culture, is really exciting. Curious to know more, I reached out to the CDC, and the lead for the Emergency Web and Social Media Team, Catherine Jamal was generous enough to answer some questions regarding the process of seeing Preparedness 101: Zombie Apocalypse go viral. Continue reading

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THEATER REVIEW: “New Works 4: International Short Play Festival” at the Richmond Shepard Theatre

On its last evening at the Richard Shepherd Theater, the New Works 4: International Short Play Festival presented its program without an intermission. A collection of six short works presented as bare-bones stagings presented pieces both amorphous and direct.
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Words, Emotions, and How Your Audience is Feeling

Many’s the time I’ve sat in readings and development workshops and been asked, “Who is your audience?” It’s one of my least favorite questions. What am I supposed to say? “People with good taste”? How do I choose to experience my entertainment? Based on what I want to feel. I suspect I’m not alone in this. When you pick up a novel, what makes you choose Bridget Jones instead of H.P. Lovecraft? (Or vice versa?) Continue reading

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The Donners are Deaded: Discussion of a Work in Progress

In Guide and (The Myth Of) Infinite Progress, an intriguing little double-bill-in-development at Williamsburg’s The Brick theater, Cara Marsh Sheffler and Luke Cissell have begun a journey to accomplish that feat. Their subject? The man whose book, The Emigrants’ Guide to Oregon, was behind the fateful “shortcut” taken by the Donner party in 1846: Lansford Warren Hastings, Esquire. Continue reading

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Now Online: Review of “The Sphinx Winx” at Theater Row

Previously removed due to gun-jump publishing on my part, my review of “The Sphinx Winx” is now once again available for your reading pleasure: http://rlbrody.com/2011/05/15/theater-review-the-sphinx-winx-at-theater-row/

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