Rachel Lynn Brody’s produced theater work includes one-act plays POST (1999 Write To Be Heard Award Winner), PLAYING IT COOL, STUCK UP A TREE, MOUSEWINGS and GREEN BEER AND BAGELS.
She has also written and produced a number of short films. Her writing has appeared in publications including The Buffalo News, The Spectrum, Rogues & Vagabonds, and The British Theatre Guide.
Since 2009, Rachel has also done freelance writing for blogs, catalogs, websites and more.
She holds an MFA Dramatic Writing and a BA in Media Studies (Video Production).
Rachel is currently based in New York City.
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Tag Archives: criticism
I contrast Danny Boyle’s 127 HOURS with Annie Dorsen’s HELLO HI THERE, and discuss the nature of entertainment in a post-human world. Continue reading
What a fantastic little fable about American politics. In THE BODY POLITIC, writers Richard Abrons and Margarett Perry (the latter of whom also directs this production) have crafted a whip-cracker of a tale about a Republican who falls for a Democrat on the campaign trail. As their relationship – and the campaign – progresses, the young party-liners find themselves negotiating and renegotiating their plans to win the presidency for their candidates. Continue reading
Since Time Warner switched our cable channels, I got to DVR PORTLANDIA, Fred Armison’s show on IFC. It’s kind of a riot. As a sketch comedy, it’s most closely related to Matt Lucas and David Walliams’ LITTLE BRITAIN, but without … Continue reading
So tonight we met Chelsea Oaks and Rob Bowen, a couple who had split up – and who both had great voices. The moment they were both accepted, I thought:
That was savvy.
The show now has a full-season’s worth of story… Continue reading
The double-entendre title of this NY Fringe production refers to both the candies kept on hand by social worker Becca (Margaret Daly) and, more obliquely, to the powerless pawns who must navigate the tsunami of bureaucracy that results from the illness of a loved one. The fable traces the primary character, Bryce (Sarah Grace Wilson) as she wanders through the maze of the American health care (or should we say, health insurance?) system during her father’s grave and ultimately fatal illness. Continue reading