Rachel Lynn Brody’s produced theater work includes one-act plays POST (1999 Write To Be Heard Award Winner), PLAYING IT COOL, STUCK UP A TREE, MOUSEWINGS and GREEN BEER AND BAGELS.
She has also written and produced a number of short films. Her writing has appeared in publications including The Buffalo News, The Spectrum, Rogues & Vagabonds, and The British Theatre Guide.
Since 2009, Rachel has also done freelance writing for blogs, catalogs, websites and more.
She holds an MFA Dramatic Writing and a BA in Media Studies (Video Production).
Rachel is currently based in New York City.
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Tag Archives: new york city
Brian Sloan’s WTC View is a post 9/11 drama that reveals the individual traumas and experiences of New Yorkers, after the towers fell. Already produced as a film in 2005, now the show is given an airing as dramatic theater at 59E59th. (For those interested in such things, the original film starred Ugly Betty’s Michael Urie in the central role, played here by Nick Lewis. Continue reading
Many’s the time I’ve sat in readings and development workshops and been asked, “Who is your audience?” It’s one of my least favorite questions. What am I supposed to say? “People with good taste”? How do I choose to experience my entertainment? Based on what I want to feel. I suspect I’m not alone in this. When you pick up a novel, what makes you choose Bridget Jones instead of H.P. Lovecraft? (Or vice versa?) Continue reading
In Guide and (The Myth Of) Infinite Progress, an intriguing little double-bill-in-development at Williamsburg’s The Brick theater, Cara Marsh Sheffler and Luke Cissell have begun a journey to accomplish that feat. Their subject? The man whose book, The Emigrants’ Guide to Oregon, was behind the fateful “shortcut” taken by the Donner party in 1846: Lansford Warren Hastings, Esquire. Continue reading
The Working Theater Company’s gala evening was a breath of fresh air on a musty May evening in New York City. The speakers were eloquent and their words obviously heartfelt. The company’s dedication to providing a voice for working Americans in the theater was clearly articulated, and through a short entertainment program they displayed their working process and its results to attendees. Continue reading
Teeth of the Sons by Joseph Sousa, at the Cherry Lane Theater, examines family and faith from the perspective of two brothers, each vying to be the one regarded as successful by the rest of their family – and in one’s case, his God. Continue reading
THEATER REVIEW: “Bengal Tiger at the Baghdad Zoo,” Aunt Dan, and Searching for Humanity through Theater
During recent visits to the theater, two plays have raised questions about how our society confronts and copes with our basic animal instincts, and the complicity of individuals in destructive acts performed by their societies. They’ve also presented complex existential arguments about the limits of communication and the need to be satisfied by what is, rather than by what one wishes could be. The two plays? Rajiv Joseph’s current Broadway production of Bengal Tiger at the Baghdad Zoo, starring Robin Williams, and Buffalo, NY theater company Torn Space’s production of Wallace Shawn’s Aunt Dan & Lemon. Continue reading
Somewhere between seeing the preview for “Potiche” advertised prior to “Blue Valentine” at the Angelika and the article I read about Catherine Deneuve on NYMag.com this week, I decided that “Potiche” was on my must-see list. Not sure why. Just had a hunch.
Following the hunch, I made the trip up to Chelsea to check out the film last night.
It’s a charming story about a woman who has allowed herself to become a “trophy housewife,” and how she reclaims her birthright – and then some – when her priggish, overbearing, condescending, philandering husband suffers a heart attack due to the stresses of a general strike. Continue reading
I contrast Danny Boyle’s 127 HOURS with Annie Dorsen’s HELLO HI THERE, and discuss the nature of entertainment in a post-human world. Continue reading